This was the period when the label was most prolific and consistent. Hidden gems include 3.2.6., Tim Harper, Victor Romeo as The Dance Kings and Rhythm II Rhythm. Fingers).Īfter most other Chicago labels stopped releasing stripped-down rhythm tracks, Dance Mania made them its trademark, laying the groundwork for ghetto house with early releases by Robert Armani, DJ Rush, Glenn Underground and DJ Funk. Lil’ Louis’ “Video Clash” was a big hit, but “Frequency” and “How I Feel” are just as essential.įew house/hip-hop crossovers have aged well, but some of the acid tracks from this period still sound current, with contributions from Gary “Jackmaster” Wallace, Vincent Floyd and Da Posse (incl. The label’s early roster is a who’s who of house music innovators, from Marshall Jefferson as Hercules, to Farley Keith as The House Master Boyz & The Rude Boy Of House and Yellow House. Here is a brief guide to key time periods and artists. The Dance Mania catalogue is enormous, but newcomers need not be intimidated. Was this a conscious decision? “I wish I could take credit for it,” Barney says, “but I think it had more to do with me having trust in what people were bringing me was actually what was happening in the clubs and on the dance scene.” Releases by Robert Armani, DJ Rush and Traxmen all embraced a harder, faster techno aesthetic. Since Dance Mania was not his primary business, Baney could take risks without worrying about an unsuccessful single taking down the label.Īfter a brief flirtation with hip-house between ’88 and ’90, Dance Mania’s sound began to shift. I wasn’t trying to take credit for everything.” “I wasn’t trying to make all of the money. “I wanted people I dealt with to be successful,” he says. We dealt mostly with major label music.”Īrtists were attracted to Dance Mania because Barney was fair with them. “We distributed music mostly in the Midwest,” he recalls. In 1980, after receiving a degree in business and accounting at Bradley University in Peoria, Illinois, Ray Barney took over management of the distribution side. A “one-stop” distributor carried all of the major labels, which meant Barney’s employees would pick up product from the companies’ branches and deliver them to mom and pop stores throughout the area. In the early ’60s, he founded the distribution business Barney’s One Stop Records and opened a separate retail location on Chicago’s West Side. Barney opened a record store called Barney’s Swing Shop. Running Gag: In this version of "Goldilocks and the Three Bears", Baby Bear wanting waffles.The story about the seminal Chicago label: DANCE MANIAĭance Mania has roots in Chicago’s soul scene.Rapunzel and the Prince then slide down the braids on the wig and out the window to escape the tower. Adaptational Alternate Ending: This video's version of "Rapunzel" ends with the Prince defeating the witch, who has cut off most of Rapunzel's hair and turned it into a wig, by tricking her into rubbing glue into her hair instead of shampoo.The kids leave the school, learning the fun, imaginative process of storytelling. Baby Bop joins the group to help tell the later two fairy tales.Īfter telling the three stories, Barney and the kids help Stella pack up her suitcase. Seeing this as an opportunity to show the kids the magic of storytelling, Barney and Stella come up with ways for the group to act out three classic fairy tales: Rumpelstiltskin, Rapunzel, and Goldilocks and the Three Bears. Stella tries to unplug her suitcase when all of a sudden, the case begins unpacking all of her props. Stella the Storyteller visits and with some help from Barney, they help teach the kids that the magical effect of 'once upon a time' is the ability to tell wondrous, fantastical stories. Going inside the classroom, Barney's friends are still unconvinced of the magic words. However, Barney and the kids quickly realize that Carlos is using a water hose. While playing in the playground, by saying the magic words, it begins to rain. Shawn is trying to convince his friends of the magic words: 'once upon a time'. Once Upon A Time is a 1996 direct-to-video Barney Home Video that was released on November 5, 1996.
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